Roy Lichtenstein, Girl in Mirror, 1964. Porcelain enamel on steel, 106,6 cm x 106,6 cm
A few days ago I found out that at Phillips in Antwerp (Belgium) a work of Roy Lichtenstein was passing through on its way to Londen for the 20th century & contemporary art evening sale. I had to see this work before it disappears again in a private collection. Standing before the Girl in Mirror I felt immediately a friendship between me and this work.
It’s a beauty! Also because of the many favorable internal and external factors that may influence value and probably the result at the auction.
The subjects, the blonde heroin, the ideal of American beauty in movies and comics, and the mirror made it an iconic Pop art work. Executed in the characteristic Ben-Day dots, a nod to the mass-produced images of comic books makes it a fully recognizable work of Lichtenstein. The dream girl, looking in the mirror for any trace of flaws, depict the ideal of mass consumer culture presented back unto itself. A mirror image of popular culture that reflects the new importance of signs of commerce.
Painted in 1964, the year wherein Lichtenstein reached the peak of his technical craftsmanship at such level that this serie of the comic strip paintings were the launch of an international career.
By using porcelain enamel on steel the painting gets a shining glow. It attains a perfection in lines and color by using a medium that achieves a clean and smooth surface. Because this painting is number three of a limited edition of eight and the current popularity of Post-War and Contemporary art, we can imagine it will be wanted.
The work is signed, dated and numbered “rf Lichtenstein 3/8 1964” on the reverse and included in the catalogue raisonné of the Roy Lichtenstein Foundation.
Girl in Mirror has an excellent provenance, starting at the Leo Castelli Gallery followed by two significant collections. At first the collection of Charles H.Carpenter, a lifelong collector of Post War artists and until 2010 as part of the collection of Max Palevsky, a venture capitalist. After his death in 2010, 250 artworks were sold at Christie’s for the total amount of $272 million. Girl in Mirror was sold for $4.898.500 to the current owner.
It has been extensively exhibited worldwide and incorporated in literature. Recognized as an iconic work much information is available online. At the auction house in Antwerp they marked the perfect condition of the work, confirmed in the condition report.
The combination of these favorable factors makes it a gem. Looking forward to the auction on 7th March.
www.philips.com, upcoming auctions 20th century and contemporary art evening sale
www.christies.com, Post-War and Contemporary Evening Sale New York 10 Novembre 2010
3. www.sothebys.com, Contemporary Art Evening Sale New York 15 May 2007
Comment by Emily Thompson, instructor for Sotheby’s Institute of Art She has over 18 years of experience appraising fine art, with specializations including Post-War and Contemporary; Impressionist and Modern Paintings, Drawings, and Sculpture. 19th Century European Paintings, American Paintings, Drawings, and Sculpture and Vintage Posters. Ms. Thompson has valued thousands of artworks for purposes including charitable contribution, estate tax, collateral loan valuation and equitable distribution as a senior fine art appraiser at international appraisal firms including Gurr Johns, Int. and as Fine Art Specialist at Emigrant Bank Fine Art Finance and its subsidiary art advisory firm, Fine Art Asset Management, LLC. At Fine Art Asset Management, Ms. Thompson routinely works with collectors and their fiduciaries to generate USPAP compliant appraisal documents for submission to the IRS.
What a fabulous piece! And excellent job of looking at provenance and art historical relevance as they relate to value. Lichtenstein is definitely what we would call a prolific artist, producing all the way up to his death in 1997. Date of execution is definitely essential with L works, the 1960’s definitely being the most valuable. And as far as subject, you can’t get much better than this (except if perhaps there was text – a word bubble). Color is a big thing with Lichtenstein as well. For example I was just helping advise a client on a purchase of a Lichtenstein still life – and there was no yellow in the composition at all. Look at a broad selection of Lichtenstein works side by side and you will realize that he is known (and sought after) for certain colors. No yellow = not as desirable. I’d also look at medium – paint on canvas vs. paint on steel – any difference? What do you think it will sell for? Great work!Emily Thompson , 2 mrt op 12:58
Work was sold for £4.800.000 (estimated £4.500.000 – 6.500.000)